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Indeed, the Centralians had completely lost faith in that blanket of protection called government
[15] In his New York Times review of John Guare's two one-act plays, Cop-Out (1969), Clive Barnes wrote: "Miss Lavin...carries versatility almost to the point of paranoia, and camps up a storm." [16] Lavin also appeared in numerous Off-Broadway productions, including the revue Wet Paint (1965), [17] the musical The Mad Show (1966) [18] (in which she introduced the cabaret standard "The Boy From...", written by Stephen Sondheim and Mary Rodgers), [19] and Little Murders (1969)